Negro Jazz
- The Dancing Times (UK), 1929;
Serge Lifar: A Study - The
Dancing Times, 1930;
Harpsichords and Jazz Trumpets - Hound & Horn,
1934;
Negro Jazz as Folk Material for Our
Modern Dance - National Dance Congress, 1936;
On Nijinsky Photographs
- The American
Dancer, 1938;
Dance in the Cinema - Dance Herald,
1938;
From Spirituals to Swing: An Evening
of American Negro Music
- H.R.S.
Society Rag, 1939;
Consider the Critics - Jazzmen,
1939;
Hot Jazz: Notes on the Future - H.R.S.
Society Rag, 1941;
Bubber
- H.R.S. Society Rag, 1941;
Hot Jazz: Est-ce
du Bach - H.R.S.
Society Rag, 1941;
Identifications - JAZZ,
1942;
Jazz in the Twenties - JAZZ, 1942;
Duke Ellington - Jazz Magazine, 1943;
Wanda Landowska - JAZZ, 1943;
Lu
Watters Correspondence - JAZZ, 1942;
Louis Armstrong -
Jazz Magazine,
1943;
Jazz Critic Looks
at Anthropologist (Ernest
Borneman) - The Record Changer,
1944;
Dancing on Skates: Correspondence
(Edwin Denby on Sonje Henie)
- 1944;
The Dance-Basis
of Jazz - The Record Changer, 1945;
Jazz of This Quarter
- View,
1945;
Categorical Terms in Jazz:
Improvisation versus
Arranged Jazz - The
Record Changer, 1945;
Attitude Towards
Early and
Late
Jazz - The
Record
Changer, 1946;
The Psychology
of the Hot Solo - Jazz Forum
(UK),
1946
(An earlier and
shorter version of this; article appeared in the Atlantic
Monthly, 1944);
A Non-Aesthetic
Basis
for
the Dance - Jazz Forum,
1946;
The Deceptive Nature
of Sensuousness in Ensemble
Playing - The PL Yearbook of Jazz,
1946;
The Place
of Space
and Time in the Dance -
Jazz Forum, 1947;
Alicia
Markova and
Alicia Alonso - The Ballet, 1947;
France's Answer to Bebop
- Playback,
1949;
Nijinsky: An Appreciation -
Dance Magazine,
1950;
Landmark: Landowska Completes the "48" (Preludes & Fugues)
- High Fidelity, 1954;
Jazz: Its Rise and Decline - The Record
Changer, 1955;
A Listener's Hierarchy in Jazz: Historical
Precedents for the Future - The Record Changer, 1955;
The
Importance of
Dance Style in the Presentation of Early Western Instrumental
Music -; The Music Review, 1955;
Jazz and the Dance - Jazz
Monthly, 1956;
The Problem of Form - Jazz Monthly,
1957;
Objective
Criteria - Jazz Monthly, 1957;
Bubber Miley - Jazz Monthly,
1958;
The Cuban Sexteto - The Jazz Review,
1958;
Popular Singers
- Jazz Monthly, 1959;
Throwback - The Jazz Review,
1959;
Jazz
Dance, Mambo Dance - The Jazz Review, 1959 & 1960;
Write
That Thing - The Jazz Review, 1960;
Uses of the Past: A Reply
to Martin Williams and Douglas Pomeroy - Jazz, 1963 (written
with Jerome S. Shipman);
Tradition in Ballet: Les Sylphides
- The Dancing Times (UK), 1964 |
